Untitled #10
I’m choosing to photograph the riders in expressive private moments: revery and introspection ; where the subjects are fragmented , hemmed in , isolated from one another. Viewed/ blurred through dirty windows reflections, transformed by the interplay of light, shapes, abstractions, enhanced by every day color , incorporating a grid structure of the window frames, and poles forming images of endearing urban visual poetry
Untitled #13
I’m choosing to photograph the riders in expressive private moments: revery and introspection ; where the subjects are fragmented , hemmed in , isolated from one another. Viewed/ blurred through dirty windows reflections, transformed by the interplay of light, shapes, abstractions, enhanced by every day color , incorporating a grid structure of the window frames, and poles forming images of endearing urban visual poetry
Untitled #16
I’m choosing to photograph the riders in expressive private moments: revery and introspection ; where the subjects are fragmented , hemmed in , isolated from one another. Viewed/ blurred through dirty windows reflections, transformed by the interplay of light, shapes, abstractions, enhanced by every day color , incorporating a grid structure of the window frames, and poles forming images of endearing urban visual poetry
Untitled #19
I’m choosing to photograph the riders in expressive private moments: revery and introspection ; where the subjects are fragmented , hemmed in , isolated from one another. Viewed/ blurred through dirty windows reflections, transformed by the interplay of light, shapes, abstractions, enhanced by every day color , incorporating a grid structure of the window frames, and poles forming images of endearing urban visual poetry
Untitled #14
I’m choosing to photograph the riders in expressive private moments: revery and introspection ; where the subjects are fragmented , hemmed in , isolated from one another. Viewed/ blurred through dirty windows reflections, transformed by the interplay of light, shapes, abstractions, enhanced by every day color , incorporating a grid structure of the window frames, and poles forming images of endearing urban visual poetry
Untitled #21
I’m choosing to photograph the riders in expressive private moments: revery and introspection ; where the subjects are fragmented , hemmed in , isolated from one another. Viewed/ blurred through dirty windows reflections, transformed by the interplay of light, shapes, abstractions, enhanced by every day color , incorporating a grid structure of the window frames, and poles forming images of endearing urban visual poetry
Untitled #12
I’m choosing to photograph the riders in expressive private moments: revery and introspection ; where the subjects are fragmented , hemmed in , isolated from one another. Viewed/ blurred through dirty windows reflections, transformed by the interplay of light, shapes, abstractions, enhanced by every day color , incorporating a grid structure of the window frames, and poles forming images of endearing urban visual poetry
Untitled #22
I’m choosing to photograph the riders in expressive private moments: revery and introspection ; where the subjects are fragmented , hemmed in , isolated from one another. Viewed/ blurred through dirty windows reflections, transformed by the interplay of light, shapes, abstractions, enhanced by every day color , incorporating a grid structure of the window frames, and poles forming images of endearing urban visual poetry
Untitled #17
I’m choosing to photograph the riders in expressive private moments: revery and introspection ; where the subjects are fragmented , hemmed in , isolated from one another. Viewed/ blurred through dirty windows reflections, transformed by the interplay of light, shapes, abstractions, enhanced by every day color , incorporating a grid structure of the window frames, and poles forming images of endearing urban visual poetry
Untitled #18
I’m choosing to photograph the riders in expressive private moments: revery and introspection ; where the subjects are fragmented , hemmed in , isolated from one another. Viewed/ blurred through dirty windows reflections, transformed by the interplay of light, shapes, abstractions, enhanced by every day color , incorporating a grid structure of the window frames, and poles forming images of endearing urban visual poetry
Untitled #11
I’m choosing to photograph the riders in expressive private moments: revery and introspection ; where the subjects are fragmented , hemmed in , isolated from one another. Viewed/ blurred through dirty windows reflections, transformed by the interplay of light, shapes, abstractions, enhanced by every day color , incorporating a grid structure of the window frames, and poles forming images of endearing urban visual poetry
Untitled #25
I’m choosing to photograph the riders in expressive private moments: revery and introspection ; where the subjects are fragmented , hemmed in , isolated from one another. Viewed/ blurred through dirty windows reflections, transformed by the interplay of light, shapes, abstractions, enhanced by every day color , incorporating a grid structure of the window frames, and poles forming images of endearing urban visual poetry
Untitled #22
I’m choosing to photograph the riders in expressive private moments: revery and introspection ; where the subjects are fragmented , hemmed in , isolated from one another. Viewed/ blurred through dirty windows reflections, transformed by the interplay of light, shapes, abstractions, enhanced by every day color , incorporating a grid structure of the window frames, and poles forming images of endearing urban visual poetry